{"id":6042,"date":"2022-11-16T15:21:34","date_gmt":"2022-11-16T22:21:34","guid":{"rendered":"https:\/\/www.morpheustheatre.ca\/?post_type=portfolio&#038;p=6042"},"modified":"2023-06-12T17:02:30","modified_gmt":"2023-06-12T23:02:30","slug":"the-yeomen-of-the-guard","status":"publish","type":"portfolio","link":"https:\/\/www.morpheustheatre.ca\/?portfolio=the-yeomen-of-the-guard","title":{"rendered":"The Yeomen of the Guard"},"content":{"rendered":"<div  class='avia-gallery  avia-gallery-1 avia_lazyload avia-gallery-animate avia_animate_when_visible  avia-builder-el-0  el_before_av_one_half  avia-builder-el-first '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class='avia-gallery-thumb'> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0629-ECR-1030x687.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0629-ECR-495x400.jpg' class='first_thumb lightbox ' data-onclick='1' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0629-ECR-495x400.jpg' width='495' height='400'  title='IMG_0629-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0972-ECR-1030x687.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0972-ECR-495x400.jpg' class='lightbox ' data-onclick='2' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0972-ECR-495x400.jpg' width='495' height='400'  title='IMG_0972-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1636-ECR.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1636-ECR-495x400.jpg' class='lightbox ' data-onclick='3' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1636-ECR-495x400.jpg' width='495' height='400'  title='IMG_1636-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1521-ECR.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1521-ECR-495x400.jpg' class='lightbox ' data-onclick='4' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1521-ECR-495x400.jpg' width='495' height='400'  title='IMG_1521-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1740-ECR.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1740-ECR-495x400.jpg' class='lightbox ' data-onclick='5' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1740-ECR-495x400.jpg' width='495' height='400'  title='IMG_1740-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1840-ECR.jpg' data-rel='gallery-1' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1840-ECR-495x400.jpg' class='lightbox ' data-onclick='6' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_1840-ECR-495x400.jpg' width='495' height='400'  title='IMG_1840-ECR' alt='' \/><\/a><\/div><\/div>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-1  el_after_av_gallery  el_before_av_one_half  \" ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h1>THE YEOMEN OF THE GUARD<\/h1>\n<p><strong>April 28th to May 6th, 2023<\/strong><br \/>\n<strong> A comic operetta by William S. Gilbert and Arthur Sullivan<\/strong><\/p>\n<p><strong> Directed by Kyle Gould<\/strong><br \/>\n<strong>Music Directed by Winnifred Hume<\/strong><br \/>\n<strong>Choreographed by Mya Swedburg<br \/>\n<\/strong><\/p>\n<p>The show takes place in the Tower of London where Colonel Fairfax is wrongly accused of sorcery and sentenced to death within the hour. Fairfax hatches a plan to secretly marry a strolling singer, who now expects to be a wealthy widow upon Fairfax\u2019s imminent demise, leaving her free to marry her lover, the jester Jack Point. However, Fairfax miraculously escapes his fate and chaos ensues.<\/p>\n<\/div><\/section><br \/>\n<div  class='avia-image-container  av-styling-    avia-builder-el-3  el_after_av_textblock  avia-builder-el-last  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2023\/03\/yeoman-fullpage-ad-v5-copy-1-644x1030.png' alt='' title='yeoman fullpage ad v5 copy (1)' height=\"1030\" width=\"644\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-4  el_after_av_one_half  el_before_av_gallery  \" style='border-radius:0px; '><p><div class='avia-data-table-wrap avia_responsive_table'><table class='avia-table avia-data-table avia-table-1  avia-builder-el-5  el_before_av_table  avia-builder-el-first  avia_pricing_default '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Table\" ><caption>Production Crew<\/caption><tbody><tr class=''><td class=''>Producer<\/td><td class=''>Colleen Bishop<\/td><\/tr><tr class=''><td class=''>Director<\/td><td class=''>Kyle Gould<\/td><\/tr><tr class=''><td class=''>Musical Director<\/td><td class=''>Winnifred Hume<\/td><\/tr><tr class=''><td class=''>Choreographer &#038; Asst Director<\/td><td class=''>Mya Swedburg<\/td><\/tr><tr class=''><td class=''>Stage Manager<\/td><td class=''>Mike Johnson<\/td><\/tr><tr class=''><td class=''>Show Pianist<\/td><td class=''>Ian Robertson<\/td><\/tr><tr class=''><td class=''>Rehearsal Accompanist<\/td><td class=''>Theo Bimson<\/td><\/tr><tr class=''><td class=''>Set Design &#038; Construction<\/td><td class=''>Reeve Smith<\/td><\/tr><tr class=''><td class=''>Set Provided by<\/td><td class=''>Bill Brown<\/td><\/tr><tr class=''><td class=''>Properties &#038; Set D\u00e9cor<\/td><td class=''>Moira Taylor<\/td><\/tr><tr class=''><td class=''>Costume Designer<\/td><td class=''>Christie Johnson<\/td><\/tr><tr class=''><td class=''>Lighting Design<\/td><td class=''>Pearl Nkomo<\/td><\/tr><tr class=''><td class=''>Board Operator<\/td><td class=''>Trevor Somers<\/td><\/tr><\/tbody><\/table><\/div><style type='text\/css'><\/style><br \/>\n<div class='avia-data-table-wrap avia_responsive_table'><table class='avia-table avia-data-table avia-table-2  avia-builder-el-6  el_after_av_table  el_before_av_video  avia_pricing_default '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Table\" ><caption>Cast<\/caption><tbody><tr class=''><td class=''>Sir Richard Cholmondeley<br \/>\n<\/td><td class=''>George Thomson<\/td><\/tr><tr class=''><td class=''>Colonel Fairfax<br \/>\n<\/td><td class=''>Kassandra Schantz<\/td><\/tr><tr class=''><td class=''>Sergeant Meryll<br \/>\n<\/td><td class=''>Joel McLeish<br \/>\n<\/td><\/tr><tr class=''><td class=''>Leonard Meryll<br \/>\n<\/td><td class=''>Paige Fossheim<br \/>\n<\/td><\/tr><tr class=''><td class=''>Jack Point<\/td><td class=''>Ginette Simonot<\/td><\/tr><tr class=''><td class=''>Wilfred Shadbolt<br \/>\n<\/td><td class=''>Aaron Bartholomew<\/td><\/tr><tr class=''><td class=''>Phoebe Meryll \t<\/td><td class=''>Evangeline Mably<br \/>\n<\/td><\/tr><tr class=''><td class=''>Elsie Maynard<br \/>\n<\/td><td class=''>Devon Wannop<\/td><\/tr><tr class=''><td class=''>Dame Carruthers<br \/>\n<\/td><td class=''>Danica Powersmith<\/td><\/tr><tr class=''><td class=''>Kate<br \/>\n<\/td><td class=''>Wendy Knight<\/td><\/tr><tr class=''><td class=''>Chorus<\/td><td class=''>Dave Burhoe<br \/>\nTerry Chung<br \/>\nMadeleine D&#8217;Agnillo<br \/>\nAmber Dujay<br \/>\nGianluca<br \/>\nAlexa Jobs<br \/>\nGrace Lu<br \/>\nErin Mackey<br \/>\nAlicia Maedel<br \/>\nJane McDowell<br \/>\nAdanna Nawalkowski<br \/>\nRose Reimer<br \/>\nCameron Ross<br \/>\nMoira Taylor<br \/>\nEd Washington<br \/>\nDerek Wilkinson<\/td><\/tr><\/tbody><\/table><\/div><style type='text\/css'><\/style><br \/>\n<div  class='avia-video avia-video-16-9   av-lazyload-immediate  av-lazyload-video-embed  '   itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/www.youtube.com\/watch?v=euNT_fD1Fms' ><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"The Yeomen of the Guard preview\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/euNT_fD1Fms?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><\/p><\/div><div  class='avia-gallery  avia-gallery-2 avia_lazyload avia-gallery-animate avia_animate_when_visible  avia-builder-el-8  el_after_av_one_half  el_before_av_one_fifth '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class='avia-gallery-thumb'> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0308-ECR-1-1030x687.jpg' data-rel='gallery-2' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0308-ECR-1-495x400.jpg' class='first_thumb lightbox ' data-onclick='1' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0308-ECR-1-495x400.jpg' width='495' height='400'  title='IMG_0308-ECR 1' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0376-ECR-1030x687.jpg' data-rel='gallery-2' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0376-ECR-495x400.jpg' class='lightbox ' data-onclick='2' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/IMG_0376-ECR-495x400.jpg' width='495' height='400'  title='IMG_0376-ECR' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-3.1-1030x687.jpg' data-rel='gallery-2' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-3.1-495x400.jpg' class='lightbox ' data-onclick='3' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-3.1-495x400.jpg' width='495' height='400'  title='Yeo 3.1' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-4-1030x687.jpg' data-rel='gallery-2' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-4-495x400.jpg' class='lightbox ' data-onclick='4' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-4-495x400.jpg' width='495' height='400'  title='Yeo 4' alt='' \/><\/a> <a href='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-5-1030x687.jpg' data-rel='gallery-2' data-prev-img='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-5-495x400.jpg' class='lightbox ' data-onclick='5' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/Yeo-5-495x400.jpg' width='495' height='400'  title='Yeo 5' alt='' \/><\/a><\/div><\/div><\/p>\n<div class=\"flex_column av_one_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-9  el_after_av_gallery  el_before_av_four_fifth  \" style='border-radius:0px; '><div  class='avia-image-container  av-styling-    avia-builder-el-10  avia-builder-el-no-sibling  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/www.morpheustheatre.ca\/morph_wp\/wp-content\/uploads\/2022\/11\/yeoman-282x300.jpg' alt='' title='yeoman' height=\"300\" width=\"282\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_four_fifth  flex_column_div av-zero-column-padding   avia-builder-el-11  el_after_av_one_fifth  el_before_av_hr  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h1>An Intro to The Yeomen of the Guard<\/h1>\n<p>Gilbert &#038; Sullivan:\u00a0operetta\u2019s\u00a0standing superstars, and with good reason. Full to the brim of farce, the duo\u2019s characteristic flair for the chaotic is a running theme throughout their works, and The Yeomen of the Guard is no exception. If you\u2019ve loved our G&#038;S productions previously (or any comedy!) but would like a dark slant on the standard, we think you\u2019ll love The Yeomen of the Guard.<\/p>\n<p>Read up on Gilbert &#038; Sullivan\u2019s tower-based tragedy before our\u00a02022\/23 Season\u00a0production.<\/p>\n<p>*Content thanks to the English National Opera eno.org<\/p>\n<\/div><\/section><\/div>\n<div  style='height:20px' class='hr hr-invisible   avia-builder-el-13  el_after_av_four_fifth  el_before_av_one_half '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-14  el_after_av_hr  el_before_av_one_half  \" ><p><div  class='avia-video avia-video-16-9   av-lazyload-immediate  av-lazyload-video-embed  '   itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/youtu.be\/TBZKYXgwJUU' ><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Gilbert &amp; Sullivan: The Yeomen of the Guard - BBC Proms 2012\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/TBZKYXgwJUU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2 class=\"media-title flush--bottom\">A darker tale<\/h2>\n<p class=\"p1\">Much like other Gilbert librettos, the cast of this operetta is a lovely lot \u2013 in the sense of everyone seems to be in love with one another! Set at the Tower of London, Sergeant Meryll, of the titular Yeomen of the Guard, lives with his daughter, Ph\u0153be Meryll. At the beginning of our tale, Ph\u0153be has gained the eye of the Jailor,<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>Wilfred Shadbolt. Wilfred, of course, has noticed who Ph\u0153be has her eye on: Colonel Fairfax, a much grander man. Unfortunately, he\u2019ll be a much less pretty picture without a head, as his execution is scheduled the same day.<\/p>\n<p class=\"p1\">Hatching a daring plan involving her brother Leonard impersonating the Colonel, this is suddenly interrupted by the arrival of Jack Point and Elsie Maynard, a duo of performers. Jack, of course, is infatuated with Elsie, so when the Lieutenant of the tower asks if Elsie wishes to marry Fairfax to negate her family\u2019s financial strife, she relents.<\/p>\n<p class=\"p1\">\u2026and all that happens within the first few scenes of Act 1. You might notice a grand total of five in our lovestruck cast: Ph\u0153be, Wilfred, Fairfax, Jack and Elsie. Five, notoriously, is not a number which couples up easily. One of this number doesn\u2019t get their happy ending \u2013 a rarity amongst\u00a0<a href=\"https:\/\/www.eno.org\/discover-opera\/beginners-guide-gilbert-sullivan\/\" target=\"_blank\" rel=\"noopener\">Gilbert &#038; Sullivan\u2019s works!<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-17  el_after_av_one_half  avia-builder-el-last  \" style='border-radius:0px; '><p><div  class='avia-video avia-video-16-9   av-lazyload-immediate  av-lazyload-video-embed  '   itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/youtu.be\/yImDO8CjG94' ><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"&quot;I have a song to sing, O!&quot; (The Yeomen of the Guard) Sullivan &amp; Gilbert\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/yImDO8CjG94?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Sullivan\u2019s finest work<\/h2>\n<p class=\"p1\">Composed towards the tail end of their working partnership,\u00a0<i>The Yeomen of the Guard\u00a0<\/i>marks a notable departure from the rest of Gilbert &#038; Sullivan\u2019s compositional output. Whilst it remains at its heart a G&#038;S show,\u00a0<i>Yeomen<\/i>\u00a0is perhaps their least farcical work, putting away some of the childish glee we\u2019re used to in their operettas and choosing to instead focus on a more adult storyline \u2013 where perhaps not everyone gets their happy ending after all.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">With this change in tone,\u00a0Sullivan\u00a0wrote what might be the best score of the bunch. Expanding the orchestra from the previously written\u00a0<i>Ruddigore,\u00a0<\/i>Sullivan\u2019s use of the orchestra is masterful, straying from the familiar groove we know G&#038;S operettas for in favour of more adventurous and daring writing. Of course, this does not come at the expense of delightful tunes, to which\u00a0<i>Yeomen<\/i>\u00a0is full to the brim: \u2018I have a song to sing, O\u2019, \u2018When a Wooer goes a-Wooing\u2019, \u2018Free from his fetters grim\u2019 and more<\/p>\n<p class=\"p1\">Immediately a hit in London,\u00a0<i>The Yeomen of the Guard<\/i>\u00a0opened 3 October 1888 and ran for 423 performances, with a English provincial tour opening the same year. The D\u2019Oyly Carte company, which performed almost exclusively Gilbert &#038; Sullivan\u2019s works from the 1870s up until the 1980s, quickly added the show to their repertoire, bring the show back again and again \u2013 with 4 revivals just in the remainder of Sullivan\u2019s life.<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":6314,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"portfolio_entries":[21],"class_list":["post-6042","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-2022-2023-season"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Yeomen of the Guard - Morpheus Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.morpheustheatre.ca\/?portfolio=the-yeomen-of-the-guard\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Yeomen of the Guard - 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